My artistic practice explores the intimate relationship between material, memory, and inner attachment. Working primarily with felt and textile-based techniques, I create tactile images that investigate patterns emerging from personal, emotional, and embodied connections.
Through my felted paintings, I explore how internal experiences can take visual form through repetition, layering, texture, and organic patterns. I am interested in the invisible structures that shape our inner world — the bonds we form, the memories we carry, and the emotional patterns that become embedded within us.
Textile is central to my practice because of its tactile and symbolic qualities. The process of felting allows me to build an image through the accumulation and entanglement of individual fibres. This physical process becomes a metaphor for attachment itself: separate elements come together, intertwine, and form something that cannot easily be separated again.
My work exists between painting, textile art, and material-based abstraction. Rather than illustrating specific narratives, I use colour, texture, rhythm, and organic forms to evoke inner states and subconscious structures. The resulting works invite a slower, sensory encounter with images that can be experienced as both physical surfaces and psychological landscapes.
Artistic Focus
• Felt painting and textile-based image making
• Materiality, tactility, and embodied processes
• Inner attachment and emotional patterns
• Memory and personal associations
• Repetition, layering, and organic structures
• Abstraction and subconscious imagery
• The relationship between textile processes and psychological experience
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