On October 24th at 4.30pm Rebecca Fiaschi in arte: La visionnaire sur la lune will talk about her artistic world in the reality of the metaverse.

The meeting will take place in the Lynk&Co club located in the historic center in via del Corso, a brand born from the merger of the Chinese automotive group with a Swedish heart. A refined reality among period buildings in an enveloping space where you can delve into topics of sustainability, beauty and exaltation of the territory. With the participation of two companies that operate in the metaverse Metagate with Marco Pizzini, a company that develops AR experience on Over the Reality with its team and RHNH.xyz with Odilia Prisco, a design brand native to the Metaverse, the curator Chiara Sticca will preside over the encounter.

The event is part of the RAW Rome Art Week event, a contemporary art week now in its eighth edition with an important qualitative and quantitative participation. The numbers that tell the event awaited also at European level, highlight 197 participating galleries and institutions with 500 artists and 57 curators, including Chiara Sticca, organizer of the talk featuring Rebecca Fiaschi in art: La visionnaire sur la lune, working artist in the metaverse, in dialogue with the artist Antonella Squillaci, whose pictorial works are on display in the club.

An intersection of real and illusory planes that have in common the construction of female figures as vehicles for the representation of primordial emotion.

Rebecca Fiaschi multidisciplinary designer. His investigative path originates from studies on home automation and the manufacturing of objects, using eco-sustainable materials. With the software he creates the imaginable and imaginative, giving voice to dreams and favoring hidden emotions. His story is inspired by different stories and eras ranging from mythology to the ancient world, underlining the sense of magic that unites different periods and sensations.

It humanizes the transactions of states of mind that transform into real creatures but without colors and looks. Critically acclaimed, she participated in the Dubai Biennale, the Venice Biennale, and exhibited in New York, where her works were projected in Times Squares, Denver, Milan, Barcelona, ​​Paris.

The questions that will be asked will be satisfied and answered by his Avatar, making the physical reality and beauty of a world without space or time even more interchangeable.

Antonella Squillaci, self-taught painter and sculptor, falls in love with gesture and forms, infusing them with power and fragility, for a single representation of reality through matter, light, spirit and poetry. He paints shadows on a light background with oil paints, enhancing the delicacy and transparency of the skin and tense muscles. The plastic poses establish a continuous dialogue with the human and spiritual side of the pieces that make up life.

Rebecca and Antonella in different worlds and with distinct sensitivities will talk about their women, each bearer of infinite masks, multiple identities and crumbling bodies that recompose with strength and vigor or disappear without a trace.

Rebecca Fiaschi multidisciplinary designer. His investigative path originates from studies on home automation and the manufacturing of objects, using eco-sustainable materials. With the software he creates the imaginable and imaginative, giving voice to dreams and favoring hidden emotions. His story is inspired by different stories and eras ranging from mythology to the ancient world, underlining the sense of magic that unites different periods and sensations.

It humanizes the transactions of states of mind that transform into real creatures but without colors and looks. Critically acclaimed, she participated in the Dubai Biennale, the Venice Biennale, and exhibited in New York, where her works were projected in Times Squares, Denver, Milan, Barcelona, ​​Paris.

The questions that will be asked will be satisfied and answered by his Avatar, making the physical reality and beauty of a world without space or time even more interchangeable.

Antonella Squillaci, self-taught painter and sculptor, falls in love with gesture and forms, infusing them with power and fragility, for a single representation of reality through matter, light, spirit and poetry. He paints shadows on a light background with oil paints, enhancing the delicacy and transparency of the skin and tense muscles. The plastic poses establish a continuous dialogue with the human and spiritual side of the pieces that make up life.

Rebecca and Antonella in different worlds and with distinct sensitivities will talk about their women, each bearer of infinite masks, multiple identities and crumbling bodies that recompose with strength and vigor or disappear without a trace.