It  was 1962  and at  231 East 47th Street, in Manhattan the brilliant and multifaceted Warhol founded the Factory,the Factory, where he creates, experiments and dares: a workshop of theArts home to his diverse artistic  activity in which he operates as in a large workshop. An apartment in a disused factory becomes so  creative forge  and place of sharing.

Today, more than yesterday, the artist is a mediapersonality,  subject and no longer a spectator of the communication to which hedraws; it is no longer (only) a "pop eye" but he himself character,  con different techniques and approaches contaminates the processes and characters typical of High art  that are reworked with the figures,    times and    codes of popular and mass culture oftheirera but never forgetting the great Masters of Art to which it is always inspired.

#Factory,included in the cycle "The Room Exhibition",is a collective exhibition that through the different forms of artistic     language deepens  the  term  POP,understood as  POPular    culture,re-actualizing it:  Bauhaus Gallery Home,is an informal exhibitionspace, a house-atelier where contemporary artists as in A  Factory    exhibits their creations, they create objects of furniture and design and intervene in the space leaving a tangible sign of their presence. Fundamental  is the dialectical relationship with the viewer/user who now sees the work of art cleared from its natural exhibition context to be (re)placed within the home walls.

Land artistic creations are placed in each room, divided by style or current, with an arrangement that does not alter the domestic space but with the work of ART dialogues: an exhibition path in a house/museum where the compatriots of furniture and design are deduced fromthe worksthemselves. The lighting, the light, conceived as a fundamental element (for the set-up) reflects and breaks down creating brilliant effects in space.

#ARTISTS: Lorenzo Di Marino -  Malgorzata Pindel - Patrizia Schettino - Cristina Smeraldi - Verdiana Spedalieri – Rachele Tofanelli - Gabriella Barbieri -  Gennaro De Luca - Ilaria Commendatore - Riccardo Pagano - Marco Rivera – Maurizio Bellinzas – Battista Doneddu – Laura Scarton  - Noemi Passarelli - Daniele Ruffini – Soledad Agresti

ArtCurator  Ilaria Giacobbi

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POP(ular) ROOM

Famousicons, icons ofthe past, false authors :hovering between past and present that in the stylistic synthesis show their own essence POP,    Ilaria Commendatore  (pen to Bic) and Riccardo Pagano  (painting and  collage) present a selection of "faces-icons" that compare two different techniques    of  esucuation daughters of this era. The figurative works of  Soledad Agresti, Gennaro De Luca  and  Marco Rivera,in thecontinuumnarrative of the exhibition,are used as anell i in conjunction with the false authors of  Gabriella Barbieri.

The photographic  section  is reserved for the photographic reportage  "Sardine"  made by  Noemi Passarelli    during the event that took place in Rome in Piazza San Giovanni in Laterano: the artist ofthetwentyactive spectator, the investigating eye ofhis time, and photography takes on the role of document/visual. Contemporary for posterity.

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ABSTRACT ROOM

In the abstract dimension, the concepts of environment, nature, seasons and climate change are summarized: the color of the wind in the triptych of  Verdiana Spedalieri  becomes mirror, on the opposite hand, to that of Cristina Smeraldi  that brings us back to the peace of mind, heart and soul... that only by the sea can be found.  The color, with its evocative power, becomes the absolute protagonist in the work of  Malgorzata Pindel: stretched out on the canvas until itsaturates and permeates it, pasty and material through the chromatic variations creates forms in the abstract.

The whiteness of the canvas, conceived as a huge blank page by Patrizia Schettino  and Lorenzo Di Marino,  is    enhancedbythedrama and symbolic value of black,imprinted    through  the  gestural-creative act:  elements taken from the natural environment (Patrizia Schettino, pine needles) and/or color ( Lorenzo Di Marino through brushstrokes full of energy and plastic power synthesizes animal forms).

In the dimension of black and white are the sculptures of Daniele Ruffini:  the artist mentions the famous works of Kandinsky, Thus, he manifests his design intent based on the continuous search for a spatial and expressive organization that is realized by the use of geometricalized forms in the name of a rationalistic need; but  also pays homage to Mondrian's "Compositions", (reproposing a three-dimensional and material version), to which he draws for the realization that leads to the final state obtained by the lattice aggregation of geometric blocks with iron black lines, in horizontal, vertical and oblique planes.

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IN THE KITCHEN:

Rachele Tofanelli's mini-staff  places art in everyday domestic and convivial "sharing" par excellence:  the kitchen.

From theartist'spictorialworks, made through  theego of the returnsna, are derived objects of furniture & design (author).

AMBIGUITY

The bi-personal installation of Maurizio Bellinzas  and  Battista Doneddu  summarizes, through the comparison between painting and sculpture, the concept ofanmbguity  to which they coincide the sexual  one through the metaphor of the language of art. They create    the misunderstanding    and place the viewer a condition  implying the possibility of a double interpretation.

Purple Rock

The work of Laura Scarton, is placed in the collective in a section dedicated to it and from which it takes the title: Purple Rock. Dto the mixture of blue and red,wisdom    with loveand the Purple comes to life  the color of spirituality  that has always symbolically represented mystery, magic and metamorphosis. The artist  gives completeness to the value of the work  by adding the component of the mineral element that refers to the purifying and liberating force:  the viewer  thanks  tothe energy of thepurple color comes into contact with  his spiritual part and with our higher Self.

2(be)MODArt: artists, in full POP style, "exhibit" their works also on a piece of clothing,  In line at the beginning"BE... ARTE,  "theessence together with the appearance", present a collection that reproduces, in LIMITED ED., the works of art,  reproduced  on clothing that become "EXASPOSITION Spaces (IN)FORMALI" conveying a work of art.

2(be)MODArt is a way of being that is manifested through one's own style but makes us become an active part of a process of sharing art: (healthy) bearers of Art. On the move.

The Home Gallery as the place of choice of art also takes up the Wunderkammer principle, to allow the individual constant and daily enjoyment, but also personal and intimidating.

https://www.youtube.com/watch?v=hvMg_OQw1Dg

• VERNISSAGE 25.01.2020 OPENING: 7.30 PM

LUN ? COME 11.30 – 13.30 / 17.00 – 19.00

OPEN STUDIO WITH THE ARTISTS LUN | VEN 19.30 / 21.00 

Bauhaus Home Gallery

Pigneto Street 3

Rome

Located in the famous and historic district of Pigneto, a short walk from the Termini Station, a triangle of streets with a retro charm between the Prenestina street and the Casilina street where shreds of imperial history coexist with a Romanesque ness in constant transformation."

The Pigneto is the winning combination of two opposing and strong personalities, the daytime one representative of the characteristic Romanesque soul, and the nocturnal one symbol of a recent and sought-after reality of the Roman movida.
 The Pigneto is the district of 'Accattone' and Pier Paolo Pasolini, as well as the set of other great films such as "Rome open city" by Roberto Rossellini with Anna Magnani and Aldo Fabrizi.
 Today the centerpiece of Roman Urban Art, a neighborhood that ooss energy 24 hours a day."

L’ Arte esce dalle Gallerie Istituzionali per essere vissuta nella quotidianità