Ernest Pignon, with his work, gave the city the final frame of Pier Paolo Pasolini's existence, frozen along his last path.
In this way, the poet interrogates and recalls the attentive passer-by, invites him, provokes him to relate with him.
It does not go unnoticed.
The reaction to his being there is often violent.
It causes tears and is also torn, torn, torn.
There are those who would like to do away with it.
But in the middle of these lacerations are welcomed those who relate to him, dialogue with him.
at that moment, that another subject, a discreet spectator who has always been eager for humanity, stops to observe and wait for the future of these initially casual encounters.
This vision gives rise to the idea of causing others in which the invited and provoked subjects become an active part of an improvised performance that transforms a corner of the city into a living stage for a moment.
Artists
