Sculptor Paolo Frattari is enclosed within glass walls, refining his sculpture with chisels.
Sculpting is an ancient act, dating back to the dawn of human history—a gesture that has spanned eras and cultures, remaining unchanged.
The sculpture, the act, and the artist merge into a single installation.
The installation—the work of art—is the sculptor himself and his creative act: his body, his presence, and the manual skill with which he works the material.
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