An asymmetry is fundamentally a lack of correspondence between parts, a deviation from the path of predictability, a shift—subtle or substantial—of energies, producing detailed and tangible consequences from a plastic and visual perspective. Three-dimensionality tends to accentuate this aspect, presenting the viewer with a form of verification of a new loyalty or truth of equilibrium. A balance concerning the very components through which the object informs itself.
Positioning the instrument close to piano keyboards or strings has given rise to specific performances that aim to enhance the visual aspect alongside the purely piano-like sound.
In particular, a procedure has been developed that—by holding certain keys depressed—aims to determine distinctive harmonic sounds, allowing for a deeper understanding of resonances.Over time, the concept of "territorial poetics" has also been developed, relating to the environment being investigated or the instrument-environment. This research therefore extends the configurative hypothesis to an eminently spatial level. "Lo spazio sorge / Primo staio di vicinato -mistero" (The Space Rises / First Step of Nearness - Mystery) is, in fact, the title of a recital closely connected to these elaborations and developments.