Diana Pintaldi experiments with the boundless processes of becoming, seeking to convey and display the Being in an existential duality.
The artist, abstracting herself in a moving dot, seeks for the meaning of her path through Morse code. She generally creates installations with writing embroidered or punctured in Morse code, the key which permits her to explore that which happens to her and surrounds her.
Diana Pintaldi chooses her work materials in connection with the transient processes of life and adopts a method using four separate actions which, for her, the Being carries out continually:
crossing, connecting, projecting and interpreting.
The process of the four actions repeats itself cyclically.
For this, she often uses palindromes, biphrases, dynamic lines, structures that permit movement and change, awaiting that predestined Jungian synchronicity, that she finds, in part, in the Morse code itself, which connects and reveals signs and symbols, permitting the Being to perceive its connection with the All.
Her works seek, display and convey the Being, as an essential essence, through a moving sign which enters space and time, in an almost meditative mantra, with helicoidal evolutions and revolutions which reach towards infinity and the Beyond.
In this coincidental suspension of time and space, the mechanism of the Unknown and of the Beyond seem to free themselves for some instances from there mystery, permitting us to glimpse infinite future potentials which revive the Becoming and the exploration process with renewed energy and awareness.wn and of the Beyond
Events at Rome Art Week
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