B.ZARRO, in his artistic journey has experimented with, informal, gestural, abstractionism, figurative, conceptual, Dadaism, expressionism, performance and appropriation art; painting, sculpture, Architecture, photography, literature, archaeology, anthropology, all in a symbolist and prophetic key. He used all his bursting presumption bordering on arrogance, nevertheless putting his face to it, thus with courage and intellectual honesty, and still in order to unveil the truth: at least the reality. By unpacking Roman painting, that of the Caravaggesque and Abstract Expressionists, the sculptures of Michelangelo, Bernini and Canova, to compare them with evangelical readings, with Wabi Sabi and with erotic literature, he gave substance to his unlimited hunger for knowledge in order to convey, through his work, the fruit of his discoveries.
Without ever seeking, however, either consensus or, at times, sharing.
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