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In the art of Vito Bongiorno the images are not the result of painting or color, but of the use of everyday materials, with a breath of ‘poor art’, or, as in the anthropometries created in a kind of ‘action painting’, with the color that, when it appears, is a monochrome without a primary role. Recently and with artistic coherence, the artist, by entrusting his images to the coal black, converted from energy to means of representation, explores the malaise and decay that humanity is going to encounter, with a research intended to find those values of the coal civilization that the civilization of money has destroyed.