With Les Femmes Fatales, presented for the first time at Tasio Open Studio, the artist opens her creative space to the public during Rome Art Week to showcase a series of recent works dedicated to the female figure as archetype, energy, and presence.

These paintings are distinguished by a clear and dynamic visual syntax: faceless female figures, enveloped in pure chromatic backgrounds, in which geometry becomes symbolic language. The structure of the body is broken down into polygonal modules and saturated colors—greens, reds, ochers, blues—that evoke an almost liturgical dimension. The synthetic forms and hieratic frontality refer to an archaic figuration, but rendered through a fully contemporary visual code, where abstraction and figuration coexist as two vital principles in tension.

The works also establish an organic dialogue with their host location, Vivai Mari, where the female bodies are mirrored in the vitality of the plants and flowers that surround them. Just like nature, the female figure thus becomes a symbol of fertility, regeneration, and cyclicality, sharing with the plant world a common generative structure: the gynoecium, the part of the flower that, after fertilization, gives rise to the fruit, analogous to the human female reproductive system that generates life.                                                                                                    This analogy perfectly encapsulates the artist's reflection, which restores to women their original status as creative forces and sources of transformation. Tasio thus transforms women into blossoming presences: not as ornaments, but elevating them to generative entities, bearers of beauty, luminous silence, inner fragrance, delicate yet powerful forms.