1992 Rome - San Michele Museum
1992 Rome - Capuano Center
1993 Orvieto - Palazzo del Popolo
1994 Rome - Trifalco Gallery
1995 Rome - Eralov Gallery
1995 Rome - Arco Gallery in via Giulia
1996 Alghero - Cloister of San Francesco
1997 Rome - Maxentius for Art
1999 Rome - The Laboratory
2000 Rome - Domus Romana
2003 Rome - Domus Romana
Since 2011 always in the gallery 'the laboratory':
2011 Rome - In the appropriate spaces
2012 Rome - 20 works on paper
2013 Rome - Windmills and other stories
2014 Rome - All about nothing
2016 Rome - I am an artist
2017 Rome - The dress of the soul
2019 Rome - Anyway… fly
In 1967 he won the second prize in the Tomba di Nerone competition.
He works in the field of editorial illustration for Edipress in Milan and clothing decoration with fabric printing and screen printing.
In 1979 he opened his own laboratory of artistic and consumer ceramics: he participated with his works in many events in Italy and abroad (Sant 'Egidio museum, San Michele museum, San Marco gallery in via del Babbuino, arch of via Giulia , art fair of Bologna, ducal palace of Todi, art fair of Dusseldorf, exhibition of artistic craftsmanship of Munich, Spoleto festival) and exports its products to Italy, Switzerland, Germany, Japan and the USA.
Since 2000 he has dedicated himself to the creation of jewels in silver, bronze, gold and semi-precious stones.
His artistic career has touched various themes and techniques without forgetting to communicate emotions. After the first mainly figurative works on paper and cardboard (various techniques), he often develops feminine themes (works on paper). Subsequently he undertook an initial research on urban decay with oils on wood ("urban passages"). He is passionate about new techniques and works of the informal period on wood are born (acrylics, cellulose pulp, canvases, threads) with material effects.
In 2011 with "in the appropriate spaces" he privileged a more direct message with figurative images (oil on panel) that tell stories and moods, while since 2012 with "works on paper" and "windmills and other stories" enriched his techniques by including narrative elements also developed in the subsequent "I am an artist" and "the dress of the soul".
In the following years his theme focuses in particular on "waste", seen as horrid and fascinating traces of previous life, and also includes reworkings of photographic elements in his research, as in the personal "all about nothing" of 2016 and even more in the last of 2019 "anyway ... fly".
In the latest works of 2020 he tries to mend fragments of memories and life: while observing aspects of suffering and degradation, he always remains open to the possibility of positive change, because beauty is one of the few possibilities of salvation for man.