Serena Lugli


1992 Rome - San Michele Museum

1992 Rome - Capuano Center

1993 Orvieto - Palazzo del Popolo

1994 Rome - Trifalco Gallery

1995 Rome - Eralov Gallery

1995 Rome - Arco Gallery in via Giulia

1996 Alghero - Cloister of San Francesco

1997 Rome - Maxentius for Art

1999 Rome - The Laboratory

2000 Rome - Domus Romana

2003 Rome - Domus Romana

Since 2011 always in the gallery 'the laboratory':

2011 Rome - In the appropriate spaces

2012 Rome - 20 works on paper

2013 Rome - Windmills and other stories

2014 Rome - All about nothing

2016 Rome - I am an artist

2017 Rome - The dress of the soul

2019 Rome - Anyway… fly
Born and raised in Rome, graduated from the Art School in via Ripetta in Rome, she continues her studies at the painting course of the Academy of Fine Arts.

In 1967 he won the second prize in the Tomba di Nerone competition.

He works in the field of editorial illustration for Edipress in Milan and clothing decoration with fabric printing and screen printing.

In 1979 he opened his own laboratory of artistic and consumer ceramics: he participated with his works in many events in Italy and abroad (Sant 'Egidio museum, San Michele museum, San Marco gallery in via del Babbuino, arch of via Giulia , art fair of Bologna, ducal palace of Todi, art fair of Dusseldorf, exhibition of artistic craftsmanship of Munich, Spoleto festival) and exports its products to Italy, Switzerland, Germany, Japan and the USA.

Since 2000 he has dedicated himself to the creation of jewels in silver, bronze, gold and semi-precious stones.

His artistic career has touched various themes and techniques without forgetting to communicate emotions. After the first mainly figurative works on paper and cardboard (various techniques), he often develops feminine themes (works on paper). Subsequently he undertook an initial research on urban decay with oils on wood ("urban passages"). He is passionate about new techniques and works of the informal period on wood are born (acrylics, cellulose pulp, canvases, threads) with material effects.

In 2011 with "in the appropriate spaces" he privileged a more direct message with figurative images (oil on panel) that tell stories and moods, while since 2012 with "works on paper" and "windmills and other stories" enriched his techniques by including narrative elements also developed in the subsequent "I am an artist" and "the dress of the soul".

In the following years his theme focuses in particular on "waste", seen as horrid and fascinating traces of previous life, and also includes reworkings of photographic elements in his research, as in the personal "all about nothing" of 2016 and even more in the last of 2019 "anyway ... fly".

In the latest works of 2020 he tries to mend fragments of memories and life: while observing aspects of suffering and degradation, he always remains open to the possibility of positive change, because beauty is one of the few possibilities of salvation for man.
cage 2019
railway 2019