An almost physical relationship with the object represented and with the representation itself, which turns to thought in a tactile manner. The concreteness of reality is brushed against and then continually escapes towards new hypothetical shores, in a continuous "bewitching" of thought and taking it to the borderlands between the phenomenon and the noumenon. Something happens between wood and woodiness, between portraiture and the act of being portrayed, or between sculpture and its rolling up of forms, and so on in every usable contribution. Six young artists from the RUFA three-year BA programme in painting and sculpture try their hand at using all available media in the new space on the second floor, with a selection of works that suggest forms in all directions and at the same time deny them as variants of the real world suggested by the work of artistic confrontation. A round questioning of what is representation today and what is art fruition.