After the Ponte Nomentano stop, Enea and his wreck continue to travel.
Now guests inFunction for ArtWeek in the Lanzarote Luciani Building, build this stop as one of the Virgilian pilgrimages.
The post-apocalyptic childhood work of Marco Fioramanti will perform performative action, telling the failure of human businesses, and yet the persistence of the Idea that dominates the concrete. Decomposition on decomposition as the post-apocalyptic work will actually inhabit the "remains" of the Lanificio.
And it is in this temporary post-historical landscape that is, in its ease in discomfort, a ghostly white-dressed body, all taken in the strain of being exhausted and constantly recovering to emit sounds and verbs to shake the whole building .
Antonio Bilo Canella calls him, and gratefulness of gratitude is borne by the voice of the dead, in a pre-verbal that is crumbling and redundant, full of potential languages ​​never used. It is based on Theo Allegretti's rarefactor and noisy sounds and improvisations.
Everything to make up for the sad stories of Enea Pater Patriae and the wounded King Fisherman, who wandering through our rivers still hopes for some healing healing, for the whole civilization.
Ahi Terra Desolata, that Terra Desolata, so talked about thunder, Eliot wrote and we who are we?
About Us We seek for meaning between collapsing walls and apocalypse missed, with the show of false prophets, all crowned with stars, and 5 for accuracy.

But yes, Bilo and Theo will rise up in that revelry of art, wasting their breath and sweating, because that is Life and Art if it does not wreck it, "wicked" Spreco ... and Reclaimed, it is understood. ..